A sea change

On a snowy December afternoon in 2010, I first walked through the door of 3 fish. A month later I started working there and ever since I’ve had the chance to work on some fantastically challenging projects with some really amazing friends.

The picture above is the stack of notebooks I found in my locker when I cleared it out the other day — although I’m sure there’s probably some more knocking about the studio. They’re tattered, torn, virtually illegible and thanks to a consistently escalating game of ‘let’s draw a cock on someone’s notebook’ contains some of the most majestic and imaginative cock drawings you can imagine. They’re also the most useful tools I’ve had access to and act as a reminder that the best work I’ve done wasn’t created sitting at an iMac.

I’ve loved my time in the fishtank and I’ve learned an unfathomable amount but like anything in life there comes a time for change. Next week I start at The Workroom and I can only hope I have even half as much fun there.

Version 5.1

One of things I love about finally having a site that I built be on a CMS (WordPress) is that I can make changes and update it really easily. It’s been a busy couple of months lately, so this weekend I finally got around to redesigning the homepage and having a closer look at the typography. I rebuilt the homepage to feature the latest blog post as well as pull in the last three projects uploaded. I’ve also increased the type size a small bit to make it more legible and I’ve bumped up security with a scheduled automatic database backup. It’s still not 100% finished with it but then I suppose I’ll always be tinkering with it…

Offset 2014

There’ll be tonnes of reviews of Offset so rather than share my experience talk by talk I’m going to go through it based on the themes I saw reoccurring throughout the different talks.

I’ve broken it down to six basic themes which I think provided the undercurrent of the weekend.

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Play

The idea of work as play (or play as work) and the way it can influence and drive your work was an interesting concept. For both Jessica Walsh and Sarah Illenberger it is a core part of their work. Being experimental and working with their hands is a crucial part of their day-to-day. Far from the über-stylish ‘flat graphics’ which underpin (or undermine — depends on your point of view) contemporary design, their work is bursting with a playful tone that doesn’t feel like it’s been spat out by a robot.

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Jessica Walsh’s work for Aizone.

 

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Sarah Illenberger’s genius collection of things made from other things.

 

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Failing

The positive associations with the term failing are an interesting recent development. Working in a city like London it can feel a bit like living on a hamster wheel and the fear of falling off seems to keep people running forward without knowing where they’re going. I know it’s something I struggle with — the feeling of being unable to fail. It’s not failing to meet deadlines or keep a business sustainable I’m talking about here, they’re a given. It’s more a way of thinking, a way of working. Trying ideas which are unproven and challenging for both the agency and client. More and more I’m realising that it’s the ideas that challenge conventions and reside in the unknown and uncomfortable that generate exciting results.

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Handmade

This leads nicely to the next theme; handmade. Not in the sense of hand drawn illustration or art but rather in designing with imperfections. It was clear from a number of speakers that the mistakes generated from handmade things were more interesting than the things themselves. In a design culture full of perfectly drawn but impersonal icons, design that isn’t perfect sometimes feels more human.

The intro stings for the speakers were a particularly impressive display of this. Created by M&E a design duo from Ireland & Sweden. They featured handmade type being plunged into ink & water to create psychedelic typographic loveliness.

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This lovely shot tweeted by Offset shows them being made.

 

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Personality

“F.Y.O.A.V.A.S.W.I.V.L.
Find your own authentic voice and speak with it very loudly”
— Jeff Greenspan

The theme of allowing your personality to invade your work was unsurprisingly evident in nearly every speaker and I guess it’s not much of a shock. The calibre of creative speaking at Offset is huge and this comes not from a standard working formula but from a personal drive and ambition to always be better.

Jeff Greenspan‘s ‘Hipster Trap’ and ‘The World’s Most Exclusive Website’ showed that a great idea doesn’t need massive finances backing it to be realised — just determination. His talk was reminiscent of Ji Lee‘s from Offset 2013 where he showed his personal projects.

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Jeff Greenspan’s ‘Hipster Trap’.

 

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Education

Neville Brody’s talk kicked off a debate about education and who should bear the brunt of the cost. It continued on in his interview with Adrian Shaughnessy straight after. Brody contended that the cost should be born by the design industry itself and that design agencies should be investing in their own future.

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Constraints

The blank page reared it’s ugly head this weekend. What do you do with a completely open brief? Mark Waites from Mother London reckons that if client came with an open brief they’d end up producing nothing. Jessica Walsh makes up her own constraints when approached with more open briefs. I think it’s a fairly universal need for there to be a problem in order to come up with a solution.

Conclusions

Every year there’s a couple of things that I take from Offset. This year I plan to slow down, take more risks, make stuff by hand and be a bit more playful. Which should be fun.

Single shot: The Gate

This one is from a good few years ago now. I think I was at some kind of design event in the Digital Hub in Dublin. It was one of those ones where you spend a whole day just thinking up new, exciting, impossible ideas with a group of people you’ve never met. It was a fun day and I took this just as I was leaving.

This snap had nothing to do with the event but it still reminds me of it for some reason.

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Single shot: Louvre

You’d think that a giant pyramid made out of glass and steel would be the last thing that would fit in with a building from the late 18th century. Yet the two sit in perfect harmony. The fact that it serves a function — alleviating the pressure on the old entrance, while simultaneously creating a centre point for visitors to explore the museum — just makes it all the more amazing.

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Single shot: Sunset

One of the real treats of working on the South Bank is the amazing sunsets we’re treated to during the summer. It was about 5 in the evening and the sky outside suddenly lit up in vibrant purples and pinks. It lasted for about 15 minutes and then it was gone. I ran around with the studio camera and snapped off a few shots but they don’t come close to capturing how amazing a sight it was.

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Single shot: Chopper

This is one I captured in 2012 during the run up to the Olympics. We were standing on the southside of the Thames when this military helicopter flew in low and started dropping troops down ropes just outside the Tower of London. Presumably some kind of training exercise it was amazing to see how quickly they were on the ground and then within a couple of seconds the helicopter was gone. I presume the troops took the tube back to their base.

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